Year after year, June in Buffalo draws emerging composers from around the globe, offering an ideal opportunity to exchange ideas and network with colleagues in other territories.
Applications were submitted by some 90 composers from Australia, Brazil, Canada, France, Germany, Hong Kong, Italy, Japan, Puerto Rico, Singapore, Spain, Taiwan, the UK, and of course the USA. This year, about a third of the JiB applicants were accepted.
American conservatories were represented by the Juilliard School, Peabody Institute, Eastman School of Music, New England Conservatory, Cleveland Institute of Music, and the Cincinnati College Conservatory of Music, among others.
Universities included Columbia, Harvard, Yale, University of Pennsylvania, UC Berkeley, UCLA, UC San Diego, Chicago, Indiana, Michigan, and Wisconsin, plus scores of others. Foreign institutions included the National Conservatory of Paris, Hochschule fur Musik und Theater Hamburg, Robert-Schumann-Hochschule, Duesseldorf, the Conservatory Vincenzo Bellini in Parlermo, Universities of Huddersfield and Brunel (UK), Wilfrid Laurier and Montreal (Canada), Trinity College Dublin, and the Hong Kong Academy for Performing Arts.
Many participants find June in Buffalo to be an eye- and ear-opening experience, as they encounter composers whose aesthetic views diverge widely from the ones they cherish. Lively discussions -- whether in seminars or in late-night bull sessions over pitchers of beer and authentic Buffalo chicken wings -- can often prove illuminating, and the bonds formed in these encounters can last for decades.
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