April
26: Sky Macklay
(Asst. Prof. of Composition, Johns Hopkins/Peabody Institute) Masterclass and composer presentation
The
Center for 21st Century Musicwas delighted to welcomeSky Macklaywho
presented a composition masterclass on April 26. We are very thankful for her insightful and thought-provoking reactions to the student work presented in her masterclass.
Photo by: Aleksandr Karjaka
Some background about Macklay from
her website:
The music of
Baltimore-based composer, oboist, and installation artist Sky Macklay (b. 1988)
is conceptual yet expressive, exploring extreme contrasts, surreal tonality,
audible processes, humor, and the physicality of sound. Some of her pieces
incorporate intermedia and extramusical narratives, addressing topics ranging
from commuting times to the side effects of contraceptive and assisted
reproductive technology. As a 2021 Guggenheim Fellow, her next project is a
chamber music album that will synthesize her work as a composer and her
raucous, multiphonic-rich oboe performance practice.
Sky has been
commissioned by the Los Angeles Philharmonic, Chamber Music America (with
Splinter Reeds and Left Coast Chamber Ensemble), the Fromm Foundation at
Harvard University (with Ensemble Dal Niente), the Barlow Endowment (with
andPlay), the Jerome Fund for New Music (with ICE saxophonist Ryan Muncy), and
Kronos Quartet’s 50 for the Future project. Upcoming commissions include new
works for the St. Paul Chamber Orchestra and Klangforum Wien. As a Fellow at
the Columbia Institute for Ideas and Imagination in Paris, she is also
collaborating with French ensemble 2e2m.
Sky’s music has been
recognized with awards and fellowships from The American Academy of Arts and
Letters, Civitella Ranieri, and ASCAP, and has been featured at international
festivals such as Gaudeamus Muziekweek, The BBC Scottish Symphony’s Tectonics
Festival, and the ISCM World New Music Days. Since being recorded on Spektral
Quartet’s GRAMMY-nominated album in 2017, her iconic string quartet Many Many Cadences
has been performed around the world by ten different quartets and is studied in
dozens of university composition and theory classes.
As an installation
artist, Sky has created and built a unique series of interactive
harmonica-playing inflatable sculpture environments, which were supported by a
New Music USA Project Grant and won the Ruth Anderson Prize from the
International Alliance for Women in Music.
As an oboist, Sky has
performed at Roulette, MATA, SPLICE Festival, the University of Louisville New
Music Festival, and the Line Upon Line Winter Composer Festival.
Originally from
Minnesota, Sky completed her DMA in composition at Columbia University where
she studied with George Lewis, Georg Friedrich Haas, and Fred Lerdahl. She also
holds degrees from The University of Memphis (MM) and Luther College (BA). From
2018 to 2020 she was Assistant Professor of Music at Valparaiso University, and
she is currently on the composition faculty of the Peabody Institute of the
Johns Hopkins University. Her music published by Edition Peters.
For fifty years, the Music Department at the University at Buffalo has maintained and nurtured a commitment to creative and performing artists at the forefront of contemporary music. The Robert and Carol Morris Center for 21st Century Music, founded and directed by composer David Felder in 2006, is built on this legacy, featuring the internationally renowned “June in Buffalo” festival, the Slee Sinfonietta Chamber Orchestra concert series, and the Guest Artist Series of performances, lecture presentations, and workshops. The Center for 21st Century Music is dedicated to the creation and production of new work upholding the highest artistic standards of excellence while simultaneously fostering a complementary atmosphere of creative investigation.
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