Brice Pauset

June in Buffalo always has a strong international flavor, drawing participants and faculty from around the globe.  French composer Brice Pauset travels from his home in Germany to join this year's Senior Faculty, bringing his unique musical and intellectual perspective to the festival. His background includes studies in piano, violin, electronic music at IRCAM, medieval philosophy (in which he holds a doctorate), along with Baroque musical practice and instrumental design.

Born in 1965, Pauset has studied with many of Europe's modernist heavyweights, including Pierre Boulez, Karlheinz Stockhausen, Gérand Grisey, Brian Ferneyhough, Franco Donatoni, Stefano Gervasoni, Klaus Huber, and Michael Jarrell, among others. Yet it's clear from interviews and writings that his Baroque forebears have had as profound an effect on his music as his contemporaries. A fascinating interview in Paris Transatlantic magazine illuminates his thinking. When writer Dan Warburton asked Pauset which century he would prefer to live in, given a choice, Pauset replied, "I think, of course, the fourteenth century. The Ars Subtilior. In the medieval epoch, there was no music as such--it was a part of a larger discipline including mathematics, philosophy, astronomy.. If you look around this room, we have mathematics--there are three computers (one of which doesn't work), and there is a philosophical dimension to this work.. (Pause.) Yes, I would go back to the fourteenth century. When music didn't exist." Pauset's moody, compelling Adagio Dialettico for piano and ensemble can be heard in this audio clip (with static image).

Augusta Read Thomas

June in Buffalo's senior faculty members are not only distinguished composers, but dedicated teachers. Augusta Read Thomas, returning to June in Buffalo for 2010, is a case in point. She is one of the most widely performed composers of her generation, with no fewer than 36 commercial recordings to her credit. Her music has been championed by conductors Daniel Barenboim, Pierre Boulez, Esa-Pekka Salonen, Oliver Knussen, Seiji Ozawa, Mstislav Rostropovich, Leonard Slatkin, David Robertson, and Christoph Eschenbach.

At the same time, Thomas describes teaching as a deeply felt commitment, and an integrated part of her creative existence. She taught composition at the Eastman School of Music from 1993-2001, and from 2001 until 2006 was the Wyatt Professor of Music at Northwestern University. She frequently undertakes residencies in colleges, universities, and festivals across the country and in Europe; in the summers she often teaches at the Tanglewood Music Center, and was the Director of the Festival of Contemporary Music at Tanglewood in 2009. For 2009-2011 she is teaching and mentoring 10 high school-aged composers in the state of Connecticut. Each composer will have his or her new piece premiered by the New Haven Symphony in May 2011.

Here is Rachel Barton Pine in Augusta Read Thomas's dramatic and moving Caprice for solo violin.