Showing posts with label Signal ensemble. Show all posts
Showing posts with label Signal ensemble. Show all posts

Wednesday, March 20, 2013

David Felder's Les Quatre Temps Cardinaux premieres at Slee Hall April 23rd!




David Felder
photo by Irene Haupt
The Center for 21st Century Music is thrilled to announce to the world that the premiere of David Felder’s Les Quatre Temps Cardinaux, commissioned by the Koussevitzky Foundation, will be premiered at the University at Buffalo’s Slee Hall at 7:00 p.m. by a large assortment of musicians – not only the SIGNAL Ensemble with a variety of guests which total to a 35-piece orchestra, but also soprano Laura Aikin, bass baritone Ethan Herschenfeld, and 12 channels of electronics. We spoke to Felder about Les Quatre Temps Cardinaux last year, which is based on, among other texts, the writings of the esoteric French poet of René Dumaul. You can read our feature interview with him about his thoughts on the piece here. Also, please check out his new wikipedia page here.

The Buffalo News has issued a great press release, written by Patricia Donovan, featured below:

British music critic Hans-Theodor Wohlfahrt has written of composer David Felder that “he combines his deep knowledge of the past and the present with a constant searching on a philosophical, human and musical level – a Gustav Mahler for the 21st century."

Felder, PhD, SUNY Distinguished Professor and Birge-Cary Chair in Composition at the University at Buffalo, is an internationally acclaimed composer of contemporary music, with his works known for their highly energetic profile, lyrical qualities, and his use of technological extension for the elaboration of musical materials.  His work masterfully combines widely ranging materials in surprising way, achieving a new synthesis.

On April 23, the UB Office of the President and the Robert and Carol Morris Center for 21st Century Music at UB will present the world premiere of Felder’s “Les Quatres Temps Cardinaux,” a complex song cycle for two solo voices, a 35-piece orchestra and 12 channels of electronics.  It represents the pairing of the composer with two celebrated performers: dynamic soprano Laura Aikin, and bass baritone Ethan Herschenfeld.  Felder wrote the piece specifically for their voices.

Ensemble SIGNAL

The April 23 concert will begin at 7 p.m. in Lippes Concert Hall, Slee Hall, UB North Campus.

Advance tickets are available at the UB Center for the Arts box office 716-645-ARTS (716-645-2787). Prices are $12 (general public), $9 (alumni, faculty, staff and seniors), and $5 for students.

Tickets also may be purchased at the Slee Hall box office on the night of the performance and will be $20 (general public), $15 (alumni, faculty, staff and seniors) and $8 (students). The box office number is 716-645-2921.

The premiere will be the focal point of a two-day program that marks the start of a new university tradition, which President Tripathi is introducing as a way to celebrate the university community’s rich and thriving legacy of innovation and distinction in the arts and letters.  Other programming being held as part of this celebration include a rehearsal open to the campus and local community; a brown bag lunch discussion with the composer, conductor, and musicians; a panel discussion with faculty and students focusing on the interpretation of texts as works of art; and an alumni-sponsored reception and Q&A with the composer and performers.

“UB has a long and storied tradition of creative excellence and innovation at the vanguard of the arts,” said UB Satish K. Tripathi.

Laura Aikin
“This event is a wonderful opportunity to shine a spotlight on some of the outstanding individuals who embody this tradition, from David Felder’s visionary achievements in contemporary composition, to the expression of that vision by world-renowned alumni like Laura Aikin and the distinguished faculty performing in the Slee Sinfonietta, to poets like the late Robert Creeley, whose voices are woven into the performance in surprising and remarkable ways.  I am very much looking forward to what will surely be an evening to remember.”

The program will open with “Tweener,” a 2010 Felder composition for solo percussion, electronics and large chamber ensemble.  The soloist will be Thomas Kolor, assistant professor of music at UB and one of the country’s top young specialists in late 20 century American percussion music.

The orchestra for both compositions will comprise ensembles dedicated to the presentation of contemporary chamber orchestral music, the acclaimed Ensemble Signal, conducted by world-renowned Brad Lubman, and the Slee Sinfonietta, the flagship professional chamber orchestra of the Morris Center.

Both works employ electronics, with “Tweener” utilizing the KAT mallet controller as an addition to the wide variety of traditional percussion instruments that make up the battery of resources used in the solo part.

Ethan Herschenfeld
One of the most important elements of “Les Quatres…” is the poetry that Felder has incorporated into the piece.  It includes the eponymous “Les Quatres Temps Cardinaux,” a poem composed by French poet René Daumal near the end of his life.

Daumal’s early career emphasized the conversion of poetry into a form of theater in which speech, gestures, breath, voice stops and other elements of performance form a totality.

“Later,” says Felder, “after his contact with ancient Hindu texts that detail the aesthetic purposes of poetry and theater, Daumal reconsidered his purpose, and his late poetry is simple, profound and luminescent.  ‘Les Quatre Temps Cardinaux’ is one of his last two poems, and alludes to times of the day, the four elements, the four seasons and the four corresponding ages of life, emphasizing the trans-personal.





We’re excited that such a large, complex, and deeply thought-out work from an innovative American composer and commissioned by a highly respected commissioning foundation can be featured at our very own Slee Hall and feature such respected performers and musicians. Tickets will be limited and in high-demand, so please reserve yours in advance. Hope to see you there!


Les Quatre Temps Cardinaux
April 23, 2013, 7:00 p.m. in Lippes Concert Hall, Slee Hall, UB North Campus.

Advance tickets at the UB Center for the Arts box office: 716-645-2787
General Public: $12
Alumni, Faculty, Staff, Seniors: $9
Students: $5

Night of the performance:
General public: $20
Alumni, Faculty, Staff, Seniors: $15
Students: $8

Contact the Slee box office at 716-645-2921.




Link to this post here.






Tuesday, September 4, 2012

Announcing the Fall 2012 Season at the Center!



We at The Robert and Carol Morris Center for 21st Century Music are excited to announce our Fall 2012 Season! June in Buffalo 2012 was a great success and a stimulating week of fresh new compositions and performances, as well as, in the words of the great New York Times music writer Allan Kozinn, “an intensive weeklong boot camp for budding young composers.” Allan Kozinn wrote up two great reviews of June in Buffalo 2012 in the New York Times, which you can read here and here.

UB alumn Judith Sherman
Our Fall season already began on August 25, when UB graduate composer Matt Sargent served as the music director for American Grain, a multimedia performance event for the Marine A grain elevator of Silo City, in Buffalo, NY. The event featured, amidst dance performances, an array of art on the walls, and tours throughout the silo, a cello quartet written by Matt and headed by UB faculty cellist Jonathan Golove. Read more about the event at the Buffalo News.


Our next event will be Working in Time: A Celebration of the Arts in Honor of Bruce Jackson on September 21. The event will celebrate the life and works of documentary filmmaker Bruce Jackson, who is the James Agee Professor of American Culture at the University at Buffalo. Working in Time will feature music by UB Birge-Cary Chair in music composition David Felder, and also feature projects by filmmaker Frederick Wiseman, and UB poet and documentarian Diane Christian. Working in Time will take place on Friday, September 21, 1:00-5:00 p.m., in Lippes Hall.  

Our first Slee Sinfonietta concert will be on Monday, Sep. 24, and will showcase two pieces by Alban Berg on the program: his op. 5, Four Pieces for Clarinet and Piano, and his Chamber Concerto for Violin and Piano with 13 wind instruments, featuring violinist Yuki Numata and pianist Daniel Pesca, under the baton of Robert Treviño. The program will also include Gyorgy Ligeti’s Melodien, and John Adams’ Chamber Symphony.

On Wednesday, October 10, we will be hosting composer Jake Romig from Western Illinois University for a day of composer master classes and workshops, as well as a presentation on his own music.

Our second Slee Sinfonietta concert will be on Tuesday, October 30, and will offer an exciting and dynamic program of late 20th century works, under the baton of Maestro Daniel Bassin, including: Karlheinz Stockshausen’s Kreuzspiel, Gyorgy Ligeti’s Horn Trio, Morton Feldman’s De Kooning, Tristan Murial’s Vues Aériennes, and Witold Lutoslawski’s Dance Preludes. Our concert will again include violinst Yuki Numata, alongside horn player Adam Unsworth, and UB faculty pianist and New York Philharmonic pianist-in-residence Eric Huebner.

From November 26th to 28th, violinist Curtis Macomber, from the Manhattan School of Music, will visit the Center, alongside UB alumn and two-time Grammy winner of the award for Classical Producer of the Year, Judith Sherman. For three days they will run a workshop on recording, editing, and producing Classical music.
Norrbotten Neo

On Tuesday, Dec. 4, the expert contemporary music ensemble from Sweden, and longtime friend of the Center, Norrbotten Neo, will join us for a composer workshop. The next day, on Wed., Dec. 5, they will give an evening concert. 

Spring at the Center will be even more active than the Fall. April's Slee Sinfonietta concert will feature bass singer Ethan Herschenfeld, soprano Laura Aikin, and about 30 musicians from SIGNAL Ensemble, for the premiere of David Felder’s Les Quatre Temps Cardinaux (The Four Cardinal Seasons), a commission from the Koussevitzky Foundation. Also on the program will be Felder’s Tweener, featuring UB percussionist Tom Kolor. Spring will also include visits from composer Phillipe Hurel, French ensemble Court-Circuit, and Oberlin composer Josh Levine.

New York City’s Talea Ensemble, who were originally scheduled to come in October, will now come for June in Buffalo 2013, stay tuned for details on the upcoming June in Buffalo!
  

Friday, June 17, 2011

"A Positive Signal"


Garaud MacTaggart of the Buffalo News offered another view of Signal's June in Buffalo concert on June 9. Headlined "A Positive Signal," MacTaggart's review praised the playing of this much-lauded group: "The same care and attention to detail that Signal displayed during their workshop for student composers on Tuesday afternoon was evidenced at Thursday night’s performance of scores by more mature composers. Given the level of material they had to work with in the later concert, the results were even more impressive.

"David Felder’s Journal from 1990 was the first composition on the evening’s program and it was clear from the start that if the bones of the score were sturdy, then Signal could flesh out the sound. Under the guidance of the troupe’s conductor, Brad Lubman, the music was revealed as a tautly constructed work but not one so tightly wound that emotion was banished..."

As in Daniel J. Kushner's review, MacTaggart reserved his highest praise for the classic score that ended the concert, Ligeti's Chamber Concerto, which "received a marvelous performance that had echoes of Debussy and Bartok with occasional brief stabs of sound reminiscent of the shower scene from Psycho as a change of pace. OK, that’s a bit of an overstatement but the change in sonic textures from loud to soft, from prickly to flowing had a logic to it that Lubman and Signal were able to convey with the conviction Ligeti deserved to receive. It was probably the highlight performance of the evening."

You can read MacTaggart's entire review here.